The projects presented here are conceived as exhibition-based ensembles, designed to be experienced within a dedicated space.
They bring together digital artworks within structured conceptual frameworks, where the image becomes a site of transformation, memory, and perceptual experience.
Each exhibition offers an autonomous reading while remaining part of a broader artistic continuity. Some works are disseminated through external platforms, but their understanding is primarily grounded in the curatorial and artistic context presented here.
Exhibition Project — Central Work (2026)
ARCANA is an exhibition project structured around elemental cycles, exploring processes of transformation through image, body, and perception.
Conceived as an immersive journey, the project does not follow a linear narrative, but unfolds as a progression through states — emergence, tension, inscription, dispersion, and dissolution — in which forms gradually transform.
Designed for the exhibition space, ARCANA constitutes the central project of the work. It marks a shift toward a visual language of becoming, giving essential space to sensory experience, silence, and indeterminacy.
Exhibition — Body of Work (Sept. – Dec. 2026)
Figures of Remanence brings together a body of work developed around the memory of the image, trace, and visual persistence.
Through digital works, the project examines how bodies and forms continue to inhabit the gaze after their appearance.
Conceived as a retrospective exhibition, Figures of Remanence offers a transversal reading of earlier series. It functions as a more restrained counterpoint, directly connected to contemporary image-making, and sheds light on the research leading to the ARCANA project.
